The Man Machine
An illustration inspired by the track of the same title by the legendary group KRAFTWERK. It wasn’t easy for me to pick just one favorite track. I’ve had a Tour de France project in mind for a long time. Their music is still pioneering and inspiring — it hasn’t aged a bit. It continues to inspire new generations (I hope). Die Mensch-Maschine is my favorite album — aside from Minimum–Maximum
Go give it a listen! It’s worth it.
Kling Klang forever!
Here’s an illustration sparked by a RATM track. I could go on and on about the energy and the meaning of this band, but let’s be real — Rage doesn’t need an intro, and their message speaks loud enough on its own.
This is the kickoff for a new series of music-inspired illustrations. Hope it hits right.
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Know Your Enemy by Rage Against The Machine.
The track comes from the album released in 1992.
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personal
size: 50x70
2025
A series of three posters promoting the HBO MAX show THE PENGUIN
I am extremely pleased to show you my gig poster for @pearljam Sydney 2024 / Dark Matter World Tour. It is an amazing feeling and opportunity that has happened to me. Creating an official poster for the legendary Pearl Jam - how cool is that!
Thanks @mrtsurt ! 🫡 It’s nice to be a small part of big things. ❤️💪
The poster is inspired by The Lithgow Panther, or the Blue Mountains Panther – a mythical creature in Australian folklore.
PIXIES European Tour 2025. It’s an honor to have created this limited edition. I hope you vibe with it, because it’s something special!
No introductions needed — you know the name, you know the sound. These guys are rock ‚n’ roll royalty. Pure, high-voltage legends. 🤘
This concept channels the raw power of the Steel City, infused with heavy metal history and high-voltage vibes. Inspired by the legendary energy of AC/DC, it’s designed to hit like a power chord—loud, electric, and impossible to ignore.
Because some bands don’t just play. They ignite.
This poster came to life thanks to @collectionzz — appreciate the collaboration!
Thomas Anderson published in the new book
„Film on Canvas Volume Two”
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The Matrix / 1999
The Matrix is one of my favorite movies ever. It had a great impact on me as a young boy and its influence is still visible in what I enjoy watching, reading and creating today. I watched it numerous times, and I’m a huge fan of the artistic values of The Matrix – the light, soundtrack, picturesqueness of every single frame, the poetry and symbolism of characters. I was 10 years old when The Matrix was released, and I had to wait a couple of years to watch it. I finally got it from a video rental shop, and I watched it over and over again. At the beginning, it was just a marvelous action movie for me, but as I grew older, I was able to dive deeper into its symbolism and cultural references. The Matrix hit me so hard, that I believe it woke up the creative side of me.
The themes of faith and messianism are the core of the story. Neo questions the fact of being the chosen one and searches for the truth about himself. I see Neo’s self-doubt as the opposite of the story of Saint Thomas, who refuses to believe in his messiah without direct personal experience. For me, Neo represents both: the skeptic and the messiah in one person.
Artistic means – such as light, the hand gesture modeled on Saint Thomas’, and the general mood of the painting – emphasize the gravity of the situation. This is the moment when the protagonist chooses to believe in Morpheus’ words, realizing he is the one.
References and inspirations:
The Incredulity of Saint Thomas by Caravaggio / 1601
Self portrait by Rubens / 1638
Shop:
https://paragon-books.com/products/film-on-canvas-volume-2
Mad Max: Beyond Thunderdome
24x36” / personal
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I love Beyond Thunderdome. Maybe because when I watched it for the first time, it was the most adventurous part of Mad Max. A year ago I refreshed all the Mad Max movies and prepared the first sketch of the portrait. But in the meantime I changed the soft/hardware, so I decided to practice a bit more, so I drew some characters and details. Well, a year later I have the whole poster.
A lot of inspiration comes from the poster by Drew Struzan which I love and has always made a huge impression on me. Not only this one, and not only this one artist. But I will tell you about my inspirations some other time.
„Buildings Burn, People Die, But Real Love Is Forever”
The Crow / 1994
Licensed limited 24x36” screen prints and Archival pigment on acrylic panel edition
Bottleneckgallery.com
SOLD OUT
Dead or alive, you're coming with me!
ROBOCOP / 1987
24 x 36”
"Call Me Snake!”
Fine art print on Solution Smooth Royal Cotton 300g
Size: 24 x 36”
100$
Limited edition of 50
Signed and numbered
BUY HERE
‘Come with me if you want to live…’
„30 years later” – an exhibition by Gallery 1988 celebrating films released in 1991. My tribute to „Terminator 2: Judgment day” is a part of it, and it’s now available online. Available to buy, to be precise: a limited series of 50 prints. My choice of the theme is self explanatory, I guess.
Pigment print on 300gsm cotton rag
Size: 24 x 36”
130$
BUY HERE
Charles Bronson in a Michael Winner film:
Death Wish / 1974
personal poster / 2024
Size: 24 x 36
Size: 24 x 36”
Fine art Giclee print
Size: 18 x 24”
NOT FOR SALE
"Man Of The Year”*
*“I’m the Dude, so that’s what you call me. That or, uh, His Dudeness, or uh, Duder, or El Duderino, if you’re not into the whole brevity thing.”
Fine art print on Solution Smooth Royal Cotton 300g
Size: 24 x 36”
100$
Limited edition of 60
Signed and numbered
BUY HERE:
Batman: Arkham Knight
Personal / 2020
Size: 24 x 36”
24 x 36”
„What are you?"
Fine art print on Solution Smooth Royal Cotton 300g
Size: 24 x 36”
100$
Limited edition of 60
Signed and numbered
SOLD OUT
"But now my time has come, and time, time is not on your side"
GoldenEye / 1995
personal
This is one of those movies that I can watch over and over again. The Tank Chase is definitely one of the best chase I've ever seen. I've always wanted to draw this poster. So I did it.
INTERLUDE
Directed by Eli Snyder / 2019
Size: 24 x 36”
AVES / directed by Eli Snyder / 2022
@elisnyder When a sudden encounter with a mysterious student triggers a painful memory for ornithology professor Abel Marks, he’s haunted by the vision of an attempted sexual assault and murder he witnessed while fighting in World War II. Compelled to seek out the student in hopes of assuaging his guilt, Abel quickly loses his grip on the reality he so delicately constructed. Ultimately, he’s forced to confront the dark truth of what actually happened – and who he really is.
